“Scroll down to the end of the article to listen to music.”
Introduction
“Gone Country” is a song by renowned country artist Alan Jackson. Released as a single in late 1994, it quickly became a staple in Jackson’s repertoire, celebrated for its narrative and reflection on the evolving music industry. The song offers a poignant look at the migration of artists from various genres to country music, highlighting a shift in the cultural landscape of the 1990s. With its catchy melody and relatable lyrics, “Gone Country” resonated with audiences, reaching the top of the charts and solidifying Jackson’s place as a leading figure in country music.
About The Composition
- Title: Gone Country
- Composer: Bob McDill
- Premiere Date: November 28, 1994
- Album/Opus/Collection: Who I Am
- Genre: Country
Background
“Gone Country” was written by Bob McDill, a prolific songwriter known for his contributions to the country genre. The song is featured on Alan Jackson’s album “Who I Am,” which was released in 1994. It became one of the album’s standout tracks, praised for its insightful commentary on the music industry’s trend of artists from other genres moving into country music. This theme resonated deeply with listeners during a time when country music’s popularity was surging, attracting a broader audience.
Musical Style
The musical style of “Gone Country” epitomizes the classic country sound that Alan Jackson is known for. It features traditional country instrumentation, including prominent use of acoustic guitar and fiddle, complemented by Jackson’s smooth, baritone vocals. The song’s arrangement is straightforward, allowing the storytelling aspect of the lyrics to take center stage. The melody is both catchy and laid-back, reflecting the easygoing nature often associated with country music.
Lyrics/Libretto
The lyrics of “Gone Country” explore the theme of transformation and adaptation, as artists from various backgrounds seek success in the country music scene. Through vivid storytelling, the song paints a picture of individuals from different walks of life—such as a Las Vegas performer and a New York folk singer—who decide to “go country” in pursuit of their dreams. This narrative underscores the universal appeal and adaptability of the country genre.
Performance History
“Gone Country” has been performed by Alan Jackson at numerous concerts and has become a fan favorite. Notable performances include those at the Grand Ole Opry and various country music festivals, where Jackson’s engaging stage presence and connection with the audience bring the song’s story to life. Its live renditions capture the energetic and authentic spirit that Jackson is celebrated for.
Cultural Impact
The song has had a significant cultural impact, symbolizing a period of transition and growth within the country music industry. It highlighted the genre’s expanding influence and its ability to attract artists from diverse musical backgrounds. “Gone Country” has appeared in various media, including television shows and documentaries about country music, further cementing its place in pop culture.
Legacy
Today, “Gone Country” remains an enduring classic in Alan Jackson’s catalog. It continues to be appreciated for its insightful commentary and catchy melody, often serving as an anthem for those who have embraced country music. The song’s legacy is reflected in its continued airplay on country radio stations and its inclusion in Jackson’s greatest hits compilations.
Conclusion
“Gone Country” is a testament to Alan Jackson’s artistry and the ever-evolving nature of the music industry. Its narrative and musicality invite listeners to reflect on the cultural shifts within the country genre. I encourage you to explore this song and Jackson’s broader body of work to appreciate the impact of his contributions to country music.
Video
Lyrics
She’s been playing in a room on the strip for ten years in Vegas
Every night she looks in the mirror and she only ages
She’s been readin’ about Nashville and all the records that everybody’s buying
Says, I’m a simple girl myself, grew up on Long Island
So she packs her bags to try her hand
Says this might be my last chance
She’s gone country, look at them boots
She’s gone country, back to her roots
She’s gone country, a new kind of suit
She’s gone country, here she comes
Well the folk scene’s dead, but he’s holding out in the Village
He’s been writing songs, speaking out against wealth and privilege
He says, I don’t believe in money, but a man could make him a killin’
‘Cause some of that stuff don’t sound much different than Dylan
I hear down there it’s changed, you see
Well, they’re not as backward as they used to be
He’s gone country, look at his boots
He’s gone country, back to his roots
He’s gone country, a new kind of suit
He’s gone country, here he comes
He commutes to L.A., but he’s got a house in the Valley
But the bills are piling up and the pop scene just ain’t on the rally
And he says, honey, I’m a serious composer, schooled in voice and composition
But with the crime and the smog these days, this ain’t no place for children
Lord, it sounds so easy, this shouldn’t take long
Be back in the money in no time at all
He’s gone country, look at them boots
He’s gone country, back to his roots
He’s gone country, a new kind of suit
He’s gone country, here he comes
Yeah, he’s gone country, a new kind of walk
He’s gone country, a new kind of talk
He’s gone country, look at them boots
He’s gone country, oh, back to his roots
He’s gone country
He’s gone country
Everybody’s gone country
Yeah, we’ve gone county
The whole world’s gone country